On Beauty

From the book cover
WHAT ARE THE TRULY BEAUTIFUL THINGS IN LIFE - AND HOW FAR WILL YOU GO TO GET THEM?
Howard Belsey is an Englishman abroad, an academic teaching in Wellington, a college town in New England. Married young, thirty years later he is struggling to revive his love for his African American wife, Kiki. Meanwhile, his three teenage children - Jerome, Zora and Levi - are each seeking the passions, ideals and commitments that will guide them through their own lives.
Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant look at family life, marriage, the collision of the personal and political, and an honest look at people's self-deceptions.
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Zadie Smith won the 2006 Orange Prize for Fiction for On Beauty.

I want to love On Beauty, but all I can muster is a strong liking. I really enjoy Zadie Smith's writing style; it's casual, smart, witty and unpretentious. I think the problem for me is there is just too much going on, even for 443 pages. Among the themes crowding On Beauty are race, politics, and social and economic class differences.

How much do colour (specifically blackness) and social and economic factors determine one's personality? Many of the character ask themselves similar questions privately. Kiki finds herself often putting on an 'Aunt Jemima' act to humour her white friends. Levi is desperate to get away from his upscale Wellington upbringing and make a life for himself hustling in the 'hood, cause to him that's what it means to be black. Howard is busy fighting to ensure that being black doesn't affect the opportunities available to his children. Monty Kipps is trying to prove that blacks are better off without affirmative action. These characters are among the 'loudest' voices in the race discussion in On Beauty.

Despite the seriousness of the main themes, much of On Beauty reads like a comedy of fools. There are comedic undertones in even the most serious scenes. Some of the funniest scenes are the ones in which characters are engaged in sexual intercourse. It was one such scene between Howard and Kiki that put my finger on one of the biggest issues I have with this novel. It's hypocritical. We're suppose to think that Howard is in love with Kiki despite her size and truly desires her, yet every time he expresses a physical desire for her, he comes off as acting cartoonish and clowny. I get the feeling Smith was trying to write Kiki as a big, beautiful black woman not embarrassed by her size but instead she's created a racial caricature.

I'm not sure that the title On Beauty fits this novel. I presume it is taken from a poem one of the character's published in a poetry book. The actual poem was written by Nick Laird.

On Beauty
No, we could not itemize the list
of sins they can't forgive us.
The beautiful don't lack the wound.
It is always beginning to snow.

Of sins they can't forgive us
speech is beautiful useless.
It is always beginning to snow.
The beautiful know this.

Speech is beautiful useless.
They are the damned.
The beautiful know this.
They stand around unnatural as statuary.

They are the damned
and so their sadness is perfect,
delicate as an egg placed in your palm.
Hard, it is decorated with their face

and so their sadness is perfect.
The beautiful don't lack the wound.
Hard, it is decorated with their face.
No, we could not itemize the list.

What this poem has to do with the many crisis in the story, I do not know. Sure there are a few characters in the story who are described as exceptionally *eye roll* beautiful but there are beautiful characters in every story, why the title?

I really enjoyed this book but it was tiring. There is so much going on and much of it proves irrelevant to the plot.

4/5