Dreams from My Father: A Story of Race and Inheritance

Dreams from My Father: A Story of Race and Inheritance is a memoir written by United States President Barack Obama.

In 453 pages, Mr. Obama brings us through his childhood in Hawaii and Indonesia, his work as a community organizer in Chicago’s south side and a trip to Kenya. He very briefly describes his time at Harvard Law School, his courtship and marriage to Michelle and a second trip to Kenya.

I really, really enjoyed this novel. Mr. Obama’s struggle to find answers in a racially polarized America is probably familiar to many black youth growing up in North America. As I read through several passages, I found myself shaking my head in agreement or recognition of a situation that is reminiscent of an experience I have lived through.

This memoir really humanized Mr. Obama for me. I’ve been a fan every since he hit the international stage, during his campaign for the democratic leadership. (I really struggled with who to root for. I’m a Hillary Clinton fan, but at last I had to support my black brother.) Anyways, back to the memoir.

Mr. Obama’s characteristic eloquence made this novel an enjoyable read. He recreates scenes, analyzes situations and shares his feeling without pretension. I felt like he was sitting across the table sharing his story with me. I didn’t have to reach for the dictionary too often. His story is so absorbing, it almost doesn’t seem real. Two or three times, I found myself wishing for a sequel from the perspective of one of the secondary characters. I would love to learn more about Ruth (Obama’s father’s third wife), and Obama's paternal grandmother.

In this novel, Mr. Obama demonstrate his ability to analyze both sides of issues without letting emotions cloud his judgment. It could have been very easy to have several ‘bad’ guys in this true story, yet there are very few.

Mr. Obama is very brave to write so honestly about his family’s history. It’s not all roses. Once the facts are laid bare, Mr. Obama’s father is revealed to be a near-do-good, adulterous, alcoholic with high ideals and no staying power (he goes through many families before his premature death as a result of a car accident).

This book was written and published after Obama graduated from Harvard Law School, where he made history as the first black editor of The Harvard Review. That’s about 10 years before he entered politics. I wonder if the story would have changed any, had he realized that one day he would be the President of the United States.

5

The Secret Adversary

From the book cover
Hiring themselves out as "young adventurers willing to do anything" proves to be a smart move for Tommy and Tuppence. The first job sounds likes a dream. All Tuppence has to do is take an all-expense-paid trip to Paris and pose as an American name Jane Finn. But with the assignment comes a bribe to keep quiet, a threat to her life, and the disappearance of her new employer. Now Tuppence's newest job is playing detective - because if there's a "Jane Finn" that really exists, she's got a secret that's putting both their lives in danger.
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The Secret Adversary is Agatha Christie's second novel and my second Agatha Christie novel. I'm trying to read all of her novels in order of publication. So far, I think it's going to be a pleasurable challenge.

Young Adventurers Tommy and Tuppence are super cute and lots of fun. I really hope Dame Christie has a few more novels about this young couple.

The Secret Adversary is completely different from Dame Christie's first novel The Mysterious Affair at Styles. Set in London, England shortly after the first world war, money is in short supply for many young people, including Tommy and Tuppence. To earn some cash, T&T decide to form Young Adventurers, an adventure/spy agency.

Coincidences abound as T&T find themselves working for the government to try to track down Jane Finn and some important documents that were in-trusted to her five years earlier on board the sinking Lusitania. While trying to track Jane Finn the young adventurers must also work against the mysterious Mr. Brown, who appears to be one of the main characters. Rather than the typical whodunit, the reader must figure out where is Jane Finn and who is Mr. Brown.

T&T's youthfulness, combined with the colourful colloquial language Dame Christie employs in the characters' direct speech make this novel a hoot. It's not at all realistic, but who needs realism when you've got a cast of international characters fighting over England's political future.

3/5

The Mysterious Affair at Styles

From the book cover

Set in Essex in the English countryside, The Mysterious Affair at Styles is one of the great classic murder mysteries. The victim, Mrs. Emily Inglethorp, is the wealthy mistress of Styles Court. After an evening of entertaining family and guests, she is found poisoned in her locked bedroom. The long list of suspects include her gold-digging new husband, her stepsons, her best female friend, and a visiting doctor. As luck would have it, a brilliant, if rather eccentric, detective is among the company at Styles. Here, in her first published mystery, Agatha Christie introduces us to her beloved Belgian protagonist, inspector Hercule Poirot, who methodically pieces together the intricate evidence of this bewildering crime. From his very first appearance, Poirot amuses us with his oddly fastidious habits - then astonishes us with the power of his razor-sharp mind. Christie keeps us guessing as to the murderer's identity until Poirot finally present his ingenious solution to this landmark mystery. And, voila, one of the genre's most famous sleuths is born.
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The Mysterious Affair at Styles is my first Agatha Christie novel and the first novel she published. I'm hoping to read all of her novels in order of their publication dates.

This classic whodunit reminds me of a Murder, She Wrote and Columbus mysteries. It's a nice easy read with lots of little twists and turns so the reader thinks they have solved the mystery at several points.

I enjoyed reading this novel, despite my lukewarm feeling towards the narrator, Mr.Hastings. He claims to have an interest in one day becoming a detective yet he has absolutely no instinct. He is just slightly more clued in than Inspector Gadget. He came across as being a bit too naive. And, Hercule Poirot came across as the typical detective.

I feel like I've read this book before... will this feeling continue as I make my way through Agatha Christie's collection?

I recommend this novel to anyone looking for a light read.

3/5

The Midwife of Venice

From the book cover
Hannah Levi is known throughout sixteenth-century Venice for her skill in midwifery. But when a Christian nobleman appears at her door in the Jewish ghetto, imploring her to help his wife who is dying in childbirth, Hannah's compassion is tested. Not only is it illegal for Jews to render medical treatment to Christians, it's punishable by torture or death.
Yet Hannah finds she cannot refuse the chance to make more money than she's ever seen in her whole life. With such a handsome sum, she could save her husband, Isaac, who months earlier was captured at sea and forced into slavery in Malta by the Knights of St. John. Aided by her forbidden "birthing spoons" - rudimentary forceps she invented to coax reluctant babies out of their mothers' wombs - Hannah agrees to assist the nobleman and attend to his ailing wife and child. Will she be able to save the mother and the baby? And if she does, will she also be able to save herself?
Woven through Hannah's travails in Venice is the story of Isaac and his life as a slave in Malta. Fearing that Hannah has perished in the plague, he pins whatever hopes he has of returning home to her on his talent for writing love letters that melt even the hardest of hearts.
The Midwife of Venice is an enthralling historical adventure and a gloriously satisfying tale about midwifery, motherhood, and the lengths to which one good woman will go for love.
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Novels like The Midwife of Venice reaffirm my view that historical fiction is the most compelling genre.

This action-packed tale of love, religion and compassion is a quick read at 329 pages. What I like most about this novel is Roberta Rich's treatment of the opposing societies of 1575 Venice. Rich exposes the hypocrisy of both the Christian and Jewish communities and the bravery of three very different types of women: Hannah the Jewish midwife, Lucia the Christian noblewoman and Jessica, Hannah's sister who is now a courtesan and converted Christian.

Although the Jews are at a disadvantage in 16th century Venice, Rich does not portray them as being all innocence. In fact, Hannah and Isaac's Rabbi is depicted as a mean-spirited and duplicitous man in an unhappy marriage, who is most concerned with making his flock follow his orders rather than helping them to live honest and fulfilling lives. He refuses to pay Isaac's ransom unless he divorces Hannah despite previously telling Hannah that Isaac's ransom would be paid.

The Catholics don't fare much better. Asunta, the Catholic nun who purchases Isaac at the slave auction in Malta quickly sells him to Joseph, a cruel slave owner whom she admits will most likely work Isaac to death, after Isaac refuses to convert to Catholicism. She is cruel and hypocritical. After Isaac refuses to convert, she makes him pull her in a cart, like a horse to town so that she can sell him to Joseph. Before leaving the convent Isaac asks her to hold on to silkworm eggs for him. Once she realizes how valuable the eggs could be for the convent she refuses to return them to Isaac.

Despite the easy-read and the vivid descriptions, there are some holes in the plot. The Conte is suppose to be a wise man yet he can't see what's under his nose. His brothers don't want him to have a heir. They want the estate to fall into their hands so they can cover the debts they've incurred from reckless living. There's even some hinting that his brother's might be responsible for the death of other kids the countess has borne who died mysteriously in early infancy. Plus, it doesn't add up that the count and countess would labour so long for a child and then leave him unguarded to go off to see her ill father. They have more than enough money to secure a wet nurse and the most comfortable accommodations during their travels.

In regards to Isaac's storyline, why would the Knights of St. John sell him to someone that might work him to death if they plan on ransoming him?

At the end of the day, despite the plot gaps, The Midwife of Venice is one of the best historical fictions I've read in a while.

4/5

Secret Daughter

From the book cover

On the eve of the monsoons, in a remote Indian village, Kavita gives birth to Asha. But in a culture that favours sons, the only way for Kavita to save her newborn daughter's life is to give her away. It is a decision that will haunt her and her husband for the rest of their lives, even after the arrival of their cherished son. Halfway around the globe, Somer, an American doctor, decides to adopt a child after making the wrenching discovery that she will never have one of her own. When she and her husband Krishnan see a photo of baby Asha from a Mumbai orphanage, they are overwhelmed with emotion for her. Somer knows life will change with the adoption, but is convinced that the love they already feel will overcome all obstacles. Interweaving the stories of Kavita, Somer, and Asha, "Secret Daughter" poignantly explores the emotional terrain of motherhood, loss, identity, and love, as witnessed through the lives of two families - one Indian, one American - and the child that indelibly connects them.
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Secret Daughter was recommended by one of my former coworkers. It was suppose to be the July book for our book club, sadly our club didn't make it past February. I'm really glad I decided to keep it on my personal reading list because Author Shilpi Somaya Gowda's first novel is all-consuming. From the first page to the last, every word is written with such care. The food, the stifling humidity and congestion of Mumbai, the stench of the Dharavi, the opulence of an upscale Indian wedding - Ms.Gowda's descriptions are so vivid one can't help but feel like a fly on the wall.

Secret Daughter touches on a lot of controversial topics while avoiding the pitfalls of sermonizing. On the surface this novel is about motherhood but under a very thin cover it's about India. At the midway point of the novel, Asha takes over the narration, and provides an honest look at India. I found myself falling in love with the country described as "a five-star pile of contradictions."

In terms of the plot and dominate themes, Secret Daughter examines the fear, desires and hopes that govern the decisions we make and the reality of having to live with our choices. In addition to the obvious theme of motherhood, the novel explores the contrast between Indian and American culture (specifically gender relations), the contrast between wealth and poverty in India and what it means to be a family.

Hands down, Secret Daughter is one the best books I've read this year. I highly recommend this novel to all of female readers.
5

On Beauty

From the book cover
WHAT ARE THE TRULY BEAUTIFUL THINGS IN LIFE - AND HOW FAR WILL YOU GO TO GET THEM?
Howard Belsey is an Englishman abroad, an academic teaching in Wellington, a college town in New England. Married young, thirty years later he is struggling to revive his love for his African American wife, Kiki. Meanwhile, his three teenage children - Jerome, Zora and Levi - are each seeking the passions, ideals and commitments that will guide them through their own lives.
Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant look at family life, marriage, the collision of the personal and political, and an honest look at people's self-deceptions.
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Zadie Smith won the 2006 Orange Prize for Fiction for On Beauty.

I want to love On Beauty, but all I can muster is a strong liking. I really enjoy Zadie Smith's writing style; it's casual, smart, witty and unpretentious. I think the problem for me is there is just too much going on, even for 443 pages. Among the themes crowding On Beauty are race, politics, and social and economic class differences.

How much do colour (specifically blackness) and social and economic factors determine one's personality? Many of the character ask themselves similar questions privately. Kiki finds herself often putting on an 'Aunt Jemima' act to humour her white friends. Levi is desperate to get away from his upscale Wellington upbringing and make a life for himself hustling in the 'hood, cause to him that's what it means to be black. Howard is busy fighting to ensure that being black doesn't affect the opportunities available to his children. Monty Kipps is trying to prove that blacks are better off without affirmative action. These characters are among the 'loudest' voices in the race discussion in On Beauty.

Despite the seriousness of the main themes, much of On Beauty reads like a comedy of fools. There are comedic undertones in even the most serious scenes. Some of the funniest scenes are the ones in which characters are engaged in sexual intercourse. It was one such scene between Howard and Kiki that put my finger on one of the biggest issues I have with this novel. It's hypocritical. We're suppose to think that Howard is in love with Kiki despite her size and truly desires her, yet every time he expresses a physical desire for her, he comes off as acting cartoonish and clowny. I get the feeling Smith was trying to write Kiki as a big, beautiful black woman not embarrassed by her size but instead she's created a racial caricature.

I'm not sure that the title On Beauty fits this novel. I presume it is taken from a poem one of the character's published in a poetry book. The actual poem was written by Nick Laird.

On Beauty
No, we could not itemize the list
of sins they can't forgive us.
The beautiful don't lack the wound.
It is always beginning to snow.

Of sins they can't forgive us
speech is beautiful useless.
It is always beginning to snow.
The beautiful know this.

Speech is beautiful useless.
They are the damned.
The beautiful know this.
They stand around unnatural as statuary.

They are the damned
and so their sadness is perfect,
delicate as an egg placed in your palm.
Hard, it is decorated with their face

and so their sadness is perfect.
The beautiful don't lack the wound.
Hard, it is decorated with their face.
No, we could not itemize the list.

What this poem has to do with the many crisis in the story, I do not know. Sure there are a few characters in the story who are described as exceptionally *eye roll* beautiful but there are beautiful characters in every story, why the title?

I really enjoyed this book but it was tiring. There is so much going on and much of it proves irrelevant to the plot.

4/5

Home

From the book cover

Glory Boughton, age thirty-eight, has returned to Gilead to care for her dying father. Soon her brother Jack - the prodigal son of the family, gone twenty years - comes home, too, looking for refuge and trying to make peace with a past littered with difficulty and pain. A troubled boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Robert Boughton's most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully and profoundly with John Ames, his godfather and namesake.

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Marilynne Robinson won the 2009 Orange Prize for Fiction and a Pulitzer Prize for Home.

I don't get it. The first 200 pages are dull and boring. There are no chapters so it's a bitch for those of us who commute or simply have busy lives that don't allow us to sit down and read an entire 325-page novel in one go. Yeah, it does have some page breaks, but that's not the same as chapters. Until reading this novel, I never realized how important chapters are to the reading experience.

The main themes in this novel are redemption, grace and destiny. Jack and Glory's father, Reverend Boughton, is dying but can not do so in peace because he is worried about Jack's soul. Due to the main conflict, Robinson explores a lot of theological ideals as the Boughtons try to come to some sort of acceptance that will allow the Reverend Boughton to die in peace. Set in the 1950s, around the time of the Montgomery riots, racial injustice is subtly intertwined in the dialogue and plot.

Home is a companion to Robinson's second novel, Gilead.  Apparently Home and Gilead are set at the same time and tell the same stories from different perspectives. I'm putting Gilead on my reading list to see if it changes my impression of Home.

Recommendation? If you like dull and boring, give Home a shot!

2.5/5